Art Direction for Hollywood movies using Blender

Jonathan Opgenhaffen is an experienced Art Director at Framestore, in London, with experience in design supervision (pre and post production), concept art, and visual effects. Skilled as both a creative supervisor, concept designer, and technical artist. Jonathan has worked for 15 years in companies such as Double Negative, Rainmaker London, Indestructible Production etc. Now, he works as Art Director at Framestore, well known for visual effects, creating extraordinary images and scenes for some of Hollywood’s biggest pictures, collecting every possible industry award along the way.

Jonathan  worked on The Midnight Sky, Project: Power, Spider-Man: Far From Home, Avengers: Infinity Wars, Pacific Rim: Uprising, and Wonder Woman to name a few.

After you read the interview, we suggest to check Jonatha’s ArtStation profile and his amazing works one by one. They are beautiful and created (also) with Blender 3D.

Jonathan Opgenhaffen - Blender 3D - Spiderman, Far From Home
“Illusion Battle” in Spiderman: Far From Home, in what turned out to be a creative roller-coaster and a collaborative union of the Framestore art department and VFX. 

Do you use Blender both in your professional works and your personal one?

Yes, absolutely… In the Framestore Art Department, we basically get to use whichever software we need to get the job done. I used to mainly use Modo as my main 3D tool, but Blender blew it out of the water, to be honest. I didn’t find the learning curve particularly easy at the very beginning, but after trying it out on a few concepts while working on Spider-Man: Far From Home, I started to realise the potential of Blender. Then once I got comfortable with Blender, I realised I could use it as a true design tool, rather than a 3D program I could use to support my Photoshop paintings.

Hollywood movies Blender 3D - Spiderman, Far From Home
Spiderman: Far From Home“Illusion Battle” – Blender 3D
Jonathan Opgenhaffen - Blender 3D - Spiderman, Far From Home
“Illusion Battle” in Spiderman: Far From Home, Framestore art department
Jonathan Opgenhaffen - Spiderman, Far From Home - Hollywood movies Blender 3D
“Illusion Battle” in Spiderman: Far From Home, Framestore art department

One of my latest projects was to help design and build the Aether spaceship for The Midnight Sky, under the supervision of the legendary production designer, Jim Bissell. The exterior of the ship was modelled, textured, and shades completely in Blender. I literally didn’t need to jump into Photoshop once to do any paintover, which was not the norm for me. Jim would come by, and we could look at the ship in Blender with the Eevee viewport and I could take notes and discuss design changes and do everything interactively within Blender. Being able to annotate in 3D was a god sent! During my time on set at Shepperton, everyone was amazed by the things Blender allowed me to do, especially in real-time. I’d watch other artists rendering a small frame for what felt like hours, while I’d be able to do Eevee renders in seconds, or 8-16k cycles renders in less than 8 minutes. It was definitely a powerful tool to actually design, as opposed to just modelling. Once completed, I packed all the textures and sent my Blender file over to the VFX Department at Framestore to do their magic to build a detailed, FX-ready model for the film. It was a great experience seeing the final result being so very close to the concept model I was able to build in Blender.

jonathan-opgenhaffen-thundercats-20200618-panthro-faces-front-v001-jo-0006-1920
Panthro Facial Expressions – Some expression tests for my personal fan art project for Thundercats. These were achieved through Rigify. Sculpted, rigged, and rendered in Blender. 

Do you have any problem inside Framestore using Blender?

No, not really… First of all, we’re pretty much allowed to use whatever software we like in the Art Department as we are separate from VFX and outside of their pipeline. Also, being able to download a build of Blender, unzip, and run it without the need to install anything really really helps! I think most if not all of us in the Art Department are using Blender, and I know of others in Framestore using it as well. 

jonathan-opgenhaffen - thundercats - panthro - faces-front - Blender 3D
Jonathan Opgenhaffen – “Panthro” – faces-front – Blender 3D

What is your Workflow with Blender, especially in your last projects

My workflow changes from image to image… It really depends on what the quickest way to get the image is. Sometimes, I use Blender to create elements in a 2D-heavy Photoshop painting, and sometimes I do all my work right in Blender, and not even touch Photoshop. Sometimes I’ll just do sketches if it sells the idea and answers the brief. For the more 3D heavy images, I’ll start by pouring my time into what I’m trying to design (character, environment, prop, etc…) and spend less time on the secondary elements. For example, if I can paint or photobash the background I will… Using resources like Sketchfab, PBR textures, or kitbash sets really helps speed things up. Also, I’ve invested a lot of time learning to rig and groom characters and creatures which really allows me to evolve my workflow. I still use ZBrush here and there but I’m migrating to Blender’s sculpt tools more and more these days. I come from a VFX background, and the one thing I’ve learnt from that was to not be afraid of throwing away everything you currently know to try out a new workflow or technique. Same goes with the choice of software. Though, from my experience, Blender is a ridiculously robust bit of software compared to the heavy hitters out there. As an art director and concept artist, it’s the first 3D software that is a design tool for me, rather than something to support the design process.

Second instalment to a quick personal series Jonathan has been working on in his free evenings. Created using Blender

Links to Jonathan Opgenhaffen:

Other articles to (with) Jonathan:


FrameStore - VR, Data visualisation, VFX, VR, Data visualisation, VFX, Animation, Film

Framestore


Other works by Jonathan

Jonathan Opgenhaffe - personal set called "The Lake". Created in Blender 3D
Jonathan Opgenhaffe – personal set called “The Lake”. Created in Blender 3D
Jonathan Opgenhaffe - personal set called "The Lake". Created in Blender 3D
Jonathan Opgenhaffe – Personal set called “The Lake”. Created in Blender 3D
Facial movement test for my ongoing Panthro personal fan art project
jonathan-opgenhaffen - bosco - Genie - Blender 3D
Genie – Blender 3D
jonathan-opgenhaffen - bosco - Genie - Blender 3D
Genie – Blender 3D
Sunrise” – Jonathan Opgenhaffe – The light is approaching… A little personal after-work piece
Sunrise” – Jonathan Opgenhaffe – The light is approaching… A little personal after-work piece

Other News

Best Resources for Rigging in Blender 3D

Great article by Todor Nikolov with a list of the best tutorials and courses for Rigging in Blender. Most resources are suitable for all beginners. If you are trying to get started with rigging, get ready to bookmark a lot of links to cool learning materials! 

Wanderson interfacing with Blender

Will Anderson, a Scottish animator & filmmaker. Will has been making character-driven animated films. BAFTA-winning, in this article he talks about Blender, his recent fascination with it, and some things he is finding exciting about interfacing Blender with his work as an animator.

Check other Interviews or Tutorials on our website.

3 thoughts on “Art Direction for Hollywood movies using Blender”

  1. Jonathan you are an amazingly talented individual. Your hard work and determination has got you where you are today.
    So very proud of you!

    Reply
  2. Wow Jonathan. Amazing work. So brilliant and talented. Very proud of you. Your hard work has elevated you in your carrer. Well deserved. Keep it up. Looking forward to seeing more of your brilliant projects. Can’t wait.

    Reply
  3. Amazing work Jonathan! The details in each and every artwork is amazing and shows your true talent. Wishing you wonderful success in all your current and future projects—keep up the great work!!

    Reply

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